A silent crescendo, Finned Symphony I embodies the rhythm of natural patterns – wave crests, wind currents, the spirals of a seashell. Its meticulously carved ridges and crusty fins pulse with movement, as if the clay itself had been shaped by unseen forces rather than by hand.
The tactile nature of this stoneware piece feels both intuitive and unfamiliar. The glaze, subtle yet expressive, enhances the form without overpowering its structural intent. Here, texture is not an afterthought but the very language of the piece.
It exists in a space between sculpture and deep sea poetry, between motion and stillness. In its presence, one is reminded that harmony is not the absence of movement, but the precise orchestration of it.
